It’s amazing, two episodes in and already The Flash knows what kind of show it wants to be. The show runners understand this character. That’s half the battle when you’re adapting a super hero to live action, or any medium really. I could tell right when Barry cuts off from his Arrow-like voice over, “…Let’s get to the good stuff”. And he’s absolutely right. We want to see Barry rescuing a bunch of people from a burning building or sweeping them out of the line of gunfire.
Our villain of the day turned out to be Danton Black, aka Multiplex. He could create, you guessed it, multiple versions of himself. Barry ends up saving the day, as yet another one of his comic foes dies. Unlike Arrow, this show has no problem with killing off the villains for good. Then again it’s a bit premature for me to claim, this being only the second episode. Joe West gives Barry the support he needs, in defeating bad guys and in respect to his father’s innocence. A few thoughts on our fatherly figure this far…
- I can’t stress enough how clutch a hire Jesse L Martin has been. While he hasn’t been the biggest surprise (a certain Scrubs alum holds that title), he is definitely carrying his weight.
- That weight specifically being the flashbacks. I hope this isn’t a CW trend. They work well in Arrow, and while I’m worried about the move to Hong Kong, I think there are still stories to be told in that manner. On The Flash, it’s absolutely grating. Martin is keeping afloat every scene with that child actor. The dialogue probably isn’t great, but that kid isn’t helping. I have to imagine they’ll continue the rest of the season, for better or worse.
- Does anyone else feel like Detective West does a poor job at parenting his daughter? Okay, not a poor job, but definitely focus’ more on Barry. I mean, how does he not realize his daughter and his partner are sleeping together? I’m definitely over thinking this one…
The final fight between Flash and Multiplex was visually outstanding (for CW standards). It’s the second straight week I’ve been impressed with the special effects. Compared to the summer blockbuster The Expendables, this show knocks it out of the park. The army of Danton Blacks was really cool. Seeing Flash do his super fast punch was gnarly. Admittedly the Matrix style dodge of the bullet was cliche, but other than that impressive stuff. The previews for next episode have me even more excited with all the CG smoke.
Once again Harrison Wells steals the episode. These end scenes are gripping, mysterious, and great fodder for conspiracy theories. Tom Cavanagh has come a long way from Scrubs — or more appropriately, Ed — by becoming, possibly the best character on the show. I enjoy the explanation for why Barry wants to save people, his reactions with Iris, Cisco, and Caitlin, but I’m turning in every week to watch Harrison Wells. And that’s just the way it is.